He is a terrible cop, bumbling through crime scenes as if his only training was from watching bad crime movies. Where is the line and when (if at all) is it okay to cross it? The character of Park was irritating for the first potion of the movie and I almost gave up on the film. MEMORIES OF MURDER is a great look at what drives a person and what is right and wrong. Disgusted by the methods of the small town police, he takes over the investigation, but has trouble generating results.Īfter a series of lucky breaks, they are led to a man who must be the killer… or is he? As Detective Seo often says, “Documents never lie.” He is a smart man, guided by the clues and the facts and is good at what he does. This help comes in the form of Detective Seo (Sang-kyung Kim), a by the book detective from Seoul. But, with this killer, he is going to need more help… He is sure of their guilt and will do what ever is necessary to ensure their conviction. Once convinced of a suspect’s guilt, he will beat them until they confess, plant evidence (amateurishly), and do this with a clear conscious. In actuality, he is a terrible detective. A gift, unfortunately, he really does not possess. VENGEANCE) is a good man and in his mind, he’s a great detective, able to spot the guilt in a man simply by looking in his eyes. He doesn’t create the “perfect” killer, or have him kill in unique ways, but he has two really interesting people in the detectives that are tracking down this hunter of women.ĭetective Park (Kang-ho Song from SYMPATHY FOR MR. Joon-ho Bong (director/co-writer) brings freshness to the stale story of a serial killer. This might not sound much different than what you have seen a hundred times before, but it is. A pair of detectives track down this murderer. A man kills young attractive women when it rains and there seems to be a link to a song that plays on the radio. This is a story of a serial killer in a small town outside of Seoul. But one thing remains relatively unarguable: this is a wonderful movie.MEMORIES OF MURDER is yet another in the growing list of great Korean films. In terms of significance, Under The Shadow features too many symbolisms to count and will most likely resonate with each person differently. The former is always on the edge of fear, wondering what is no doubt there, but is yet to be shown on the frame. Like the bombs, the audience never knows when or how the next apparition will materialize. The scares are slow and itâs obvious the director takes great care in making every single second count and in raising the unpredictableness of the action. The movieâs dread-effect plays strongly on feelings of isolation and helplessness. As widespread bombings shake the ground beneath their feet, the two grapple with a more insidious evil that is faceless and traceless, coming and going only with the wind. The story is based around the relationship of a woman, Shideh, and her daughter, Dorsa, under the backdrop of the Iran-Iraq war. Horror movies have always been creepier to me when they play on our fear of the âunknownâ rather than gore. 25 Best Streaming Bundle Deals Right Now.35 Best Live TV Services on Amazon Fire TV for Cord-Cutting.30 Best Streaming Platforms For Under $10.
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